Showing posts with label Johnny Mathis. Show all posts
Showing posts with label Johnny Mathis. Show all posts

Thursday, October 20, 2022

Johnny Mathis • Love Story [1971] Columbia Records C 30499

 



Love Story is an album by American pop singer Johnny Mathis that was released on February 10, 1971, by Columbia Records and included a recent Oscar nominee ("What Are You Doing the Rest of Your Life?"), a flashback to 1967 ("Traces"), a new song by Bacharach and David ("Ten Times Forever More"), a lesser-known one by Goffin and King ("I Was There"), and two songs that originated in film scores from 1970 and had lyrics added later: the album closer, "Loss of Love", from Sunflower and the album opener from Love Story, which was subtitled "Where Do I Begin". The norm for Mathis projects from this era was to cover recent hits, and the title track of this one was so recent that the version by Andy Williams began a 13-week run to number nine on Billboard magazine's Hot 100 chart in February 1971, coinciding with the release of this LP.

The Mathis recording of "Ten Times Forever More" was released as a single on January 21 of that year and spent two weeks on Billboard magazine's Easy Listening chart in March that included a peak position at number 32. The album's debut on the magazine's Top LP's chart was in the issue dated March 13 and led to a number 47 showing over the course of 18 weeks.

Love Story was released for the first time on compact disc in 1995 as one of two albums on one CD, the other LP being his Raindrops Keep Fallin' on My Head album from 1970.

Tuesday, March 26, 2019

Johnny Mathis Open Fire, Two Guitars [1959]


Columbia ‎Records CS 8056 

The open fire of the title is a warm hearth, not an invitation to gunplay. On this 1959 album, Johnny Mathis creates an atmosphere of fireside intimacy by dispensing with his usual orchestral accompaniment so that the purity of his voice entices the listener's full attention. Al Caiola and Tony Mottola play the two guitars that supplement Mathis' crooning, with an upright bass providing the album's only other instrument. Producer Mitch Miller is often associated with gimmicky or novelty productions, but his work on Open Fire, Two Guitars is perfectly understated, emphasizing the gentle caress of Mathis' voice over the relaxed counterpoint of the two guitars. The songs give prominence to the pop standards of Rodgers and Hart, Cole Porter, and the Gershwins, but the title track, "Open Fire," is a new composition by Leiber and Stoller. The album's effect seems nearly a cappella at times, but "In the Still of the Night" finds Mathis intoning the lyrics over gently rhythmic guitar figures that educe new harmonic complexities from a well-known song. The enduring popularity of Open Fire, Two Guitars is attributable in part to its hypnotic aura of closeness and confidentiality, but also to the simple instrumentation that appeals to many rock-era listeners' preference for guitars over orchestral arrangements. [AllMusic]